It was night / Death slept naked / on God’s corpse

The man was his father. How could he be so disgusted by him? His mother, long dead, always told him: your father will outlive us all, but not before he makes us suffer as much as he wants to, and more.

Pinball takes place in a more liminal environment: those may be your physical fingers hitting flipper buttons and your real voice cussing out Bride of Pin-Bot, but your vision, your concentration—everything about you that’s more consciousness than body—moves outside of yourself and behind a thin layer of glass.

The spindly stalks creep out from the nexus of the composition like arachnid extremities. The pronounced compression of space pushes the roughly hewn roots into the forefront for the beholder’s contemplation. The sharp points and scraggly edges of the root system prevent easy entrance into the scene. Oller creates a kind of coconut Noli me tangere: we may look, but not touch.

I can’t write about breasts without thinking of damselflies stinging the surface of water.

Listen up! We’ve been getting our asses handed to us out there, and there’s no end in sight. I’m the best shot we’ve had at taking opposing bases down and reclaiming the map—until you showed up. Maybe we’ll stand a fighting chance. But that’s up to you and how well you handle that phaser.

I’m writing a book about fires. Metaphorical and literal. About the way human relationships spontaneously combust. How a self crashes and burns.

I see Justice in the form of Dr. Attisha; through her horn-rimmed glasses, I see the blood lead levels doubling inside of toddlers.

In their entry on love, Berlant writes that we tend to (mistakenly) use the objects our desire attaches to in order to assume an identity— “you know who…

For Berlant, part of the problem of politics is that marginalized people have to accommodate the feelings of their majority counterparts in order to successfully…